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Tail
Wags the Dog!
The explosion in computer editing, animation and graphics has vastly increased
the importance of post-production to the success of a film. Now editors
and graphic artists have more power than ever before. 
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Let's Maintain
the Quality!
Cheap,
But At What Cost?
Industry pro
Russ Stiggants notes that too many camera operators don't realize -- or
haven't the experience to recognize -- that they must shoot within the
limitations of DV. 
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Behind the Camera
IV
Technology Marches On: Don't Blink, You'll Miss It!
Technology Marches On, waiting for no one. This latest issue of Behind
the Camera with Bill Johns keeps an eye on that new technology. That is,
until our faithful commentator blinks. 
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Bad
Cinema! Bad! Bad!
Learn first-hand what not to do when you put pen to paper with
that revolutionary script you've been dreaming up. This latest issue of
Behind the Camera with Bill Johns explores the world of awful scriptwriting
and how it contributes to the obnoxious world of -- shall we say it --
BAD cinema. 
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Behind the Camera
II
Lights, Camera, Action!
You’ll notice the first variable in the famous phrase is Lights.
Then Camera, then Action. Often times the difference between a home movie
and a film is in the lighting. Bill Johns shows you how to get it just
right in his latest column, Behind the Camera with Bill Johns. 
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Behind the Camera
Viva la Revolution!
There's a revolution going on with DV, and veteran cameraman Bill Johns
has a few observations for you to ponder. He's used three MiniDV cameras
and one Digital8 consumer model, and BetaSP users have reason to be antsy.
Johns gives you his opinion on a trio of DV cameras he's been using in
his column, Behind the Camera with Bill Johns. 
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Videography
Futures
Gazing at the Monitor Glass
Digital
Video enthusiast, computer expert and analyst David Winter predicts the
course of digital video for the next year in this extensive road map into
the new century. 
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Canopus
CEO Hiro Yamada:
What is the Best Compression Format for Non-linear Video
Editing?
Due to the lower cost
of the equipment, most videographers use MotionJPEG- or DV-based systems
for video editing. New MPEG-2-based editing systems are just coming on the
market, so which format is really best for non-linear video editing?
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