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Selling Yourself:
Making Money with DV
by
William Barrett & Eda H. Sherman
You probably think
the most important thing you do is shoot DV, or create nifty graphics,
or creatively edit video tape. But it's not. The most important thing
you do is sales. Without sales -- though you may have the best equipment
and technical skills on earth -- you're broke, and outta business. Don't
miss reading this comprehensive article that includes crucial information
every DV producer, editor and shooter needs to succeed in this industry.
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EIDE
RAID Explained
by Charlie
White
Discover the benefits
and inner workings of a relatively new technology that borrows from the
sheer speed of SCSI -- that is, making an group of EIDE disks work together
in a RAID configuration for faster throughput. 
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EIDE
Drives: Fast Enough for DV?
by Charlie
White
Still thinking that
SCSI is the way to go? Not sure if the EIDE drives will be fast enough?
Charlie White explores these and other issues in this article that unravels
the facts and the fiction about the advantages of SCSI as compared to
EIDE disks for DV format production. 
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How
to Shoot
by Charlie
White
So there it is: A
brand new DV camcorder. This is going to be great! You're ready to get
out there and spread your extraordinary vision to the rest of the world.
But maybe you've never shot any video before. What do you need to know
to effectively communicate your ideas to your audience? 
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You
Have Questions? Spot Has Answers!
Frequently Asked Questions: DV, OHCI, 1394
Are
you just getting into video? Thinking about using a PC and DV? Grammy
award winner Douglas Spotted Eagle answers your frequently asked questions
about 1394, OHCI, DV and Analog. 
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How
to Shoot a DV Feature in 65 Hours
Producer/Director Mike Slawomir Cecotka shows you how to be more efficient
in your DV filmmaking with ten tips for shooting a feature film in 65
hours. He's done it with his new film, Schizophrenia. 
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Helpful Hints:
JVC GY-DV500 Comfortized!
In an effort to enhance the JVC DV500's ergonomics, videographer Johnny
Markert figured out a way to customize his DV500 with a freezer ice-pack
and some real gaffer's tape. 
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FAQ: DV Format
Technology
Video and software
expert Adam J. Wilt has seen it all when it comes to the DV format.
Read along and he'll let you in on a few technical secrets about the inner
technological workings of DV, DVCAM, DVCPRO and much more in this extensive
FAQ. 
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Secrets
From the Experts: DV Camcorder Tidbits by
Adam J. Wilt
Discover techniques
you never thought of! This grab bag of great tips not only tells you secrets
about Sony VX1000, Canon XL1 and many more, it has pointers for audio
enhancement and tapes. 
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Using
Sony's DCR-VX1000
by Steve Sakellarios
If you shoot in reasonably
good light, are careful to zoom in and focus critically, white balance
carefully in every new light situation, and use the all-manual settings,
you can approach beta-sp quality with this tiny, portable, light-weight,
unobtrusive camera. And
by the way, did I mention it's cool-looking? 
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How
I Learned to Love This Small But Very Professional Camcorder
Three
Weeks with the JVC GY-DV500 by
David Jon Devoucoux
The
title says it all. After three weeks of six day weeks with long, hard
setups, multiple locations per day and multiple scenes per location, all
with a very small crew (4 primary and three secondary), I truly appreciate
the effort JVC made to produce the GY-DV500 camcorder (Street price $5,500
includes camera, 14x1 Lens, Tripod Plate, Two NMH-55 Batteries, Single
Bay Fast Charger) with everything I needed to "get the shot".
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Secrets
of the Smoking Monkey
The Real World of Producing DV for Broadcast by
Charlie White
Tony Wood of Smoking
Monkey Productions shows how to make sure your DV productions can pass muster
at even the most persnickety broadcast TV station. We watched his process
carefully, from lens to screen. Here's our peek at the Secrets of the
Smoking Monkey.  |
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