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| The More Powerful Your Computer, The More Real Time Effects
DVStorm Can Execute In Real Time |
This is going to be one of those good news-bad news reviews,
where you might wonder at the end if I really liked this $1799 nonlinear
editing system from Canopus or not. DVStorm, released in early December,
gives you the capability to capture video via numerous sources, like 1394,
Y/C and composite connectors and output real time video to DV or analog
from the time line. It also lets you output to MPEG-1, MPEG-2 and streaming
video files, and the audio clock is genlocked to video reference for superb
audio sync, unlike problems that have plagued DV editing for years. This
combination of a great DV hardware card, Canopus's sturdy software array
and assorted software titles like Adobe Premiere 5.1c, stripped-down versions
of Boris Graffiti, Spruce DVD and Sonic Foundry's ACID Music, along with
Canopus SoftXplode and Web Video Wizard is one powerful package with lots
of growing room. On the downside, you better have the right computer,
meaning at least a 700 MHz P3 with 256 MB of RAM, or even better -- a
dual processor behemoth -- or you'll miss all the fun.
Let's get the bad news out of the way first. Even though Canopus
support reps lay blame away from DVStorm, the implementation of the DVStorm
card with Premiere 5.1 leaves a lot to be desired. Whoever is at fault,
it's simply crash-prone, and if you don't constantly save your work, you'll
be sorry. Sure, Premiere has often been cited for instability with other
hardware configurations, but this is beyond unstable and bordering on
the unusable. Countless times, as I was working on a highly complex segment,
Premiere would simply disappear from the screen, leaving nothing and losing
all data. Other times, Premiere would freeze, stubbornly holding on to
the overlay as it crashed, causing a blank green screen on my NTSC monitor
and forcing a complete cold boot of the system -- a rarity in the Windows
2000 setup on our Dell Dimension XPS B1000 computer here at the Midwest
Test Facility.
But it
was plain to see that there's great potential here -- real time effects,
moving titles and filters within Premiere, as long as you choose the specially-created
Canopus transitions and filters. But hey, the issue is moot because like
the old year 2000, Premiere 5.1 is now on its way out, making way for
its successor, Premiere 6.0. Canopus has promised to bundle Premiere 6
soon, and for the paltry sum of $20, offers an upgrade to Premiere 6 to
anyone who bought DVStorm after November 11, 2000. Canopus insiders say
the Premiere 6 plug-ins will be available in February. Let's just hope
that version 6.0 and DVStorm can get along better than this, because I
found the combination of DVStorm and Premiere 5.1c to be unacceptable.
Next: The Good News
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